I make sculpture as a way of thinking through space, balance, and time.

The work develops slowly and often returns to familiar forms. Shapes are carried forward through different materials and scales, allowing earlier decisions to remain present rather than resolved. What begins in the studio may later reappear in a public context, altered by process, site, or use, while still holding traces of its origin.

Much of the work explores volume and internal space — the relationship between mass and void, inside and outside. Forms are shaped as much by what is removed or opened as by what remains. This interest runs through both studio pieces and larger site-specific works, where placement and surroundings become part of the sculpture itself.

Landscape plays an important role, not as subject matter, but as a spatial condition. Working in West Penwith has informed an awareness of scale, exposure, and openness, and how sculpture occupies ground, frames views, or holds space around it. In public settings, the work enters into dialogue with its environment rather than existing as a contained object.

Alongside commissioned projects, studio work remains central. The studio allows forms to evolve without fixed outcome, through repetition, testing, and return. Failure and unresolved ideas are not discarded, but retained within the practice and carried forward into later work.

This website functions as an archive of works developed over time — studio pieces, public commissions, and ongoing projects. Rather than presenting a linear progression, it reflects a practice shaped through repetition, variation, and continuity.